Categories
life

A Dream of Spring

I want my daughter to be enchanted.

The word enchanted stems from a Latin word which means both “to sing into” and “to cast a magic spell upon.” To be enchanted is to feel taken away from the world, to be carried away into a realm devoid of worry, to calmly fade into the rhythm of a different reality.

For a father to say he wants his daughter to be enchanted is to say what then? Is it a desire for her to become a passive entity who allows herself to be caught up and carried away?

I want my daughter to be a warrior when it counts. I watch Game of Thrones and I admire the intensity of ten-year-old Lady Mormont, but I don’t want that for my daughter. Lady Mormont’s intensity comes from the world around her: the cold nights on Bear Island; the death of all the elders in her family; the knowledge that her citizen’s lives are in her hands; the need to stand firm against a room full of old soldiers and Lords; and so much more. Lady Mormont is who she is because of the horrors of the world she lives in and the duty she feels as a Mormont.

I don’t know want that for my daughter. I don’t want her to have to fight for her survival and defend the honor of her family at every turn. I don’t want her to have to prepare for a reality where a deadly summer is coming, boiling up from the south with a faceless horde in its vanguard.

Instead, I want her to be enchanted by the possibilities of all those living people, all those intelligences and wisdoms singing of the possibility of a better world, both for themselves and for her, enriching her understanding of her place in the world and sharing with her the need and desire to seek humane and peaceful solutions to life’s individual conflicts and the globe’s existential crises.

I want her to be enchanted by the songs of what’s possible.

But I also want her to be a warrior. To know how to escape when possible and defend herself when necessary. I want her to have a fierceness that strikes the heart, and a laugh that strikes there as well, and I want her to wield them both like a Dancing Master of Braavos.

I also want her to be free from manipulation. To be enchanted is not the same as to enchant. We distrust the witch who would put us under her spell, despise the siren who would sing us into our grave, and fear the goddess who would love us in her chains.

The danger of enchantment, of being under a spell, of being carried away by a song, lies in the distance of the disconnect. The more we become enchanted, the more we risk being made the fool.

I want my daughter to be enchanted, but I don’t want her to be made a fool. Tom Robbins and Shakespeare are right: there is great wisdom to be found in the life of the fool; but it’s a wisdom I’d rather my daughter receive from counsel, not from experience. The life of the fool comes with wisdom, but it also comes with the ugliness of our primate culture: the throwing of shit, the rigorously enforced power dynamic, the constant threat of casual physical violence. I don’t want my daughter to be made a fool.

I want her to know wonder, and to value the amazing things she can dream, and to pursue them the way Daenerys Stormborn pursues her destiny, with confidence and humility and a desire to do the most good.

I want my daughter to let her hope for a better future carry her away. I want her to be enchanted by what she imagines is possible.

Categories
reviews

The Books I Read in 2017

Every year, I participate in the Goodreads Challenge, which is where you challenge yourself to read a certain number of books over the course of the year and then track your progress. Most years, I challenge myself to read either 25 or 30 books, and most years, I come close to achieving that goal, but for the last two years, I read 35 and 36 books respectively, so  I challenged myself to read 35 books in 2017.

Spoiler alert: I didn’t succeed. Instead, I read 21 (my lowest number since the annual challenge began in 2011). There’s no real reason for this, except maybe that some of the books I read were pretty damn long (my wife, who read Moby Dick and Gone with the Wind this year, thinks Goodreads should change it from number of books read to number of pages; she’s not wrong). But long books or not, I didn’t reach my goal. Thankfully, a new year’s begun.

Now, to the books!

Absolute Monarchs: A History of the Papacy (528 pages)
This non-fiction book attempts to capture nearly two-thousand years of papal history. The author, John Julius Norwich, skips a large percentage of the popes to focus on the more interesting ones, such as St. Peter (the first bishop of Rome), Innocent III (the first to put forward the principle of papal infallibility), Leo X (the first Medici pope and the man who excommunicated Martin Luther), Clement VII (the second Medici pope and Leo X’s cousin and best friend, not to mention the pope who wore the tiara when Protestantism became a separate religion, Rome was sacked by Charles V, and the Church of England broke away), Pope Joan (a legendary female pope who Norwich argues did not really exist), and others.

The subject of almost every chapter in this book could stand as a book on its own, and several chapters could have whole libraries dedicated to them. As a history of the papacy, it’s also a history of the political and economic life of the Roman Catholic Church, the Holy Roman Empire, and Europe in general.

Because of that, some of the book is a slog, and you need a machete to cut through all of the repetitive names followed by Roman numerals, but if you give up the idea that you’re going to remember the differences between all the Leopolds, Ferdinands, Clements, and Alfonsos, the book becomes a fascinating flood of corruption, intrigue, and empire.

If you have any interest in the actual history of the Roman Catholic Church (rather than the theology), Absolute Monarchs is a great place to start (the other, of course, is A History of Christianity: The First Three-Thousand Years).

Norse Mythology (304 pages)
Neil Gaiman wrote this collection of Norse mythology because, in a lot of ways, mythology comes not from the tales we tell, but from the retelling of them. Thor did not exist in Asgard, but in the magical space between the storyteller and the listener, each fireside tale in Scandinavia adding to the strength of his hammer.

Gaiman’s desire to share tales that have already been shared millions of times is to be commended,  and (as I wrote in my review on Goodreads), he “writes these familiar tales in an authentic feeling way, letting loose only in those moments when the narrative requires it, but never straying too far from his source.”

When I picked up the book, however, I was hoping for more Gaiman and less Snorri Sturluson. While I didn’t necessarily want a modern take on the tales (e.g., Gaiman’s novel American Gods), I had hoped for Gaiman to take me inside the stories to provide a new perspective. Instead, I got a remarkably faithful version of these well-told tales.

I don’t hold that against him. My desire as a reader and his desire as an author may not have matched up, but the end result was still an enjoyable read, making this book as good as any if you’re just hoping for an English version of traditional tales.

Sapiens: A Brief History of Humankind (414 pages)
I wrote a piece about this book when I read it back in March. I hadn’t finished the book when I’d written it, and so I left the question that motivated the piece unanswered at the end. The author, Yuval Noah Harari, essentially argues that Homo sapiens are no different than any other biological force on the planet in that we are subject to the same laws of physics, chemistry, and biology as ants, anteaters, and single-cell parameciums.

The story of our history, then, is the story of our attempt to universalize the powers of the human animal — whether through politics, economics, or beliefs — in order to overcome the laws the universe has subjected us to.

Harari ends his book with a chapter that presages his next book, Homo Deus: A Brief History of Tomorrow. The chapter explores humanity’s attempt to overtake natural selection with intelligent design, discussing biological engineering, cyborg engineering, and the engineering of non-organic life (i.e., Artificial Intelligence).

The end result is not exactly pessimistic, but also not exactly hopeful. As he writes in the book’s Afterword, “Despite the astonishing things that humans are capable of doing, we remain unsure of our goals… We are more powerful than ever before, but have very little idea of what to do with all that power… Self-made gods with only the laws of physics to keep us company, we are accountable to no one… Is there anything more dangerous than dissatisfied and irresponsible gods who don’t know what they want?”

The Worldly Philosophers: The Lives, Times, and Ideas of the Great Economic Thinkers (368 pages)
I gave this non-fiction book a rating of three stars when I finished it back in April, which is probably why I barely remember reading it. I started reading the book because I wanted to understand not only economics, but also the mindset that leads to insatiable greed.

I don’t think this book satisfied either of those desires, but if it did, it certainly didn’t make a lasting impression when on me. That’s why, when writing this post, I went back to the book to rejigger my memory, and in the book’s introduction, I found this great quote from John Maynard Keynes, “The ideas of economists and political philosophers, both when they are right and when they are wrong, are more powerful than is commonly understood. Indeed, the world is ruled by little else. Practical men…are usually the slaves of some defunct economist.”

That’s why I wanted to read this book. To better understand the ideas that essentially rule our world. Maybe this book helped me (because I’ve spent an inordinate amount of time this year thinking about economics), but if it did, I can’t say exactly how.

The one thing I do remember about this book is how much of a bad-ass John Maynard Keynes was. I mean, the dude made his personal fortune by only dedicating a half-hour a day, while still in bed, to his own financial doings. The rest of the time, he was writing books on mathematics that impressed even Bertrand Russell, doing public service in Britain’s treasury department, socializing with Virginia Woolf and the rest of the Bloomsbury group, editing the Economic Journal, participating in (and then critiquing) the Treaty of Versailles, running a theatre, becoming the Director of the Bank of England, and so much more. Keynesian economics may have its detractors, but Keynes himself was pretty damn cool.

Lawrence in Arabia: War, Deceit, Imperial Folly, and the Making of the Modern Middle East (577 pages)
This non-fiction book tells not just the story of the famed Lawrence of Arabia, but also of the unheralded (and generally inexperienced) men and women who also played a huge role in the shaping of the Middle East.

I picked up this book following The Worldly Philosophers because, in reading that book, I realized just how little I knew about World War I. The only book about the Great War I’d  read previously was The Guns of August (which is fantastic, by the way), but that mostly covered the European theatre, and focused mostly on the first month of the war. I wanted to know more.

I chose Lawrence in Arabia because of the anecdote the author, Scott Anderson, shares in the introduction to the novel. Basically, Lawrence is called to the palace for what he imagines will be a consultation about the postwar borders of the Middle East, but instead, King George surprises him with a knighthood ceremony. He’d once written that his greatest ambition was to become knighted before the age of 30, and now that ambition was about to be realized. As Anderson writes, “Except Lawrence didn’t kneel. Instead, just as the ceremony got under way, he quietly informed the king that he was refusing the honor [and] under the baleful gaze of a furious Queen Mary, Colonel Lawrence turned and walked away.”

I might not have known anything about World War I, but after reading that intro, I had to know more about the bad-ass mofo who turned his back on a king.

The book was fantastic, and it reads like a novel. I really can’t recommend it enough.

Paris 1919: Six Months that Changed the World (570 pages)
Lawrence in Arabia did a great job of covering the Middle Eastern theatre of the war, but it didn’t do a great job of explaining what happened at the end of the war. Paris 1919 dedicates 570 pages to the subject.

I really enjoyed this book (four stars!), but I also had some issues with it. The author, Margaret MacMillan, organizes the book by geography, focusing on the story of each region. For example, the third part of the book tells how the Balkans were divided following World War I, while chapter six focuses on Russia.

This makes the individual stories of the regions easier to follow, but the jumping back and forth in linear time makes it difficult to understand all the moving parts and how they influence each other. I don’t begrudge MacMillan for the difficulties — her subject is extremely difficult to organize, and she had to make a choice somewhere — but by the end of the book, I felt she had lost some steam.

The New Testament: King James Version (~550 pages)
I started reading the New Testament in concert with Absolute Monarchs, but as anyone can see who looks through my Goodreads, I tend to read a lot about Church history. Last year, for example, I read Elaine Pagels’ research on Revelations and James Tabor’s The Jesus Dynasty. It had been several years since I’d last read the New Testament in its entirety, so I figured I’d get on that.

Mostly, I wanted to read the books that come after the four Gospels: the book of Acts, the various letters “written” by Paul, James, Peter, John, and Jude, and Revelations. Because I’d recently read an entire book on Revelations, I skipped that section in this year’s reading, but outside of that, I read them all.

And as always, I thoroughly enjoyed them. They don’t call it the Good Book for nothing.

Aftermath: Empire’s End (423 pages)
The final book in Chuck Wendig‘s Aftermath trilogy, Empire’s End provides the canonical explanation of what happened to the Empire following the death of Emperor Palpatine during the Battle of Endor. The trilogy takes place between the Return of the Jedi and The Force Awakens, clearing up some loose ends from the original film trilogy.

I enjoyed the overall plot of Wendig’s novels, but I got pretty annoyed with his habit of writing “Interludes” that had nothing to do with the main story. At first, I found them interesting — they’re like mini-stories that take place throughout the Star Wars galaxy, and they give readers an on-the-ground experience of what it is like to live through the death of a tyrannical empire — but after a while, they just got in the way of the story of Wendig’s main characters. This was an issue with the entire trilogy, but by the third book, it was even more of a problem. We’d been with these characters for two whole books now — it’s time to leave off the Interludes and simply cut to the chase.

With that being said, if you’re a Star Wars geek like I am, these canonical books are a must read.

Max (473 pages)
I came across this book in the children’s section of our local library. It’s a young-adult novel written from the perspective of a child created through the Nazis’ eugenics program.

I picked the book up because the opening chapter was written from the first-person perspective of a fetus, and frankly, I’d never come across something like that before.

The rest of the book played out well. The titular character is the epitome of Nazi eugenics, but even he comes to realize that tyranny is a malevolent force that cuts away at the sanctity of the individual. A well-done book that I’d recommend for both young and regular adults.

This Is Not A Novel (190 pages)
The late David Markson is one of my favorite authors. His books, while similar in style, expand the possibilities of literature, challenging reader expectations while also delivering on the emotional promises we require from literature.

This Is Not a Novel focuses on the birth, life, and death of various artists, including the narrator, who calls himself “Writer.” The text is essentially a 190-page collection of anecdotes about artists (again, including “Writer”), but the anecdotes build up and play off each other, allowing the reader to make the kinds of connections we desire in our reading.

I picked up the book during the week my family was in Chicago, and I read it in just a couple of hours. There are no chapters to the book, and each anecdote is very short — sometimes no longer than a few words — so it’s easy to tell yourself, just one more, just one more, and next thing you know, the book is over.

If you have any interest in art and artists, definitely pick it up.

The Communist Manifesto (288 pages)
As I’ve mentioned a couple of times, I taught a high-school course on Communism & Socialism in 2017. To prepare for that class, I read several books and essays from the original leaders, including the grand-daddy of the texts, Marx & Engels’ Communist Manifesto.

I’m a big fan of this book. A lot of it is Inside Baseball type-stuff, where Marx & Engels argue with other communists and socialists about the real aims and meaning of the international movement, but you can breeze over that stuff to get to the meat of the essay.

Between the two blog posts I’ve linked to above, I’ve said pretty much all I want to say on the topic for now, but I will add that I truly believe every informed American ought to read The Communist Manifesto. Marx & Engels are both strong writers, and the ideas they present in this little book become more apropos with the growing power of the American oligarchy.

The Sound of a Wild Snail Eating (170 pages)
I picked this book up while reading several books on Communism & Socialism. I needed a break from all of the political theory, and this meditation on the meaning of life fit the bill.

The author, Elisabeth Tova Bailey, was suddenly struck by a painful illness that prevented her from getting out of bed for close to a year. In her bedridden state, a friend gave her a wild snail that they picked up from outside of her apartment. While lying in bed doing absolutely nothing, Bailey begins to meditate on the lived experience of the snail, on humanity’s need for companionship, and on life’s ability to be resilient in the face adversity.

This short book did not quite live up to my hopes for it (it reads like a poor man’s version of Annie Dillard’s Pilgrim at Tinker Creek), but at 170 pages, it fulfilled my need to alleviate the political anger aroused in me by Marx, Engels, and Lenin.

Lenin: A Biography (561 pages)
Another book for the Communism & Socialism class, this one took me most of the summer. I started reading it in mid-July and finished it in late August.

As the bona-fide leader of the Communist revolution in Russia and the founding father of the Soviet Union, Lenin has been the subject of hundreds if not thousands of scholarly books over the past 100 years. Choosing a single book to read can be daunting. I chose Robert Service‘s biography because he is a professor of Russian history at Oxford and the author of several others books on Russia, including a biography of Stalin and a history of 20th century Russia.

I also chose the book because it was one of the first biographies to be written after Mikhail Gorbachev “unsealed” the central party’s archives and various files and meeting minutes became declassified. It also contained research from more recently acquired correspondence from and memoirs of Lenin’s family, furthering our insight into Lenin’s motives and actions.

I was not disappointed. What results is a full and complex picture of a uniquely driven and highly focused individual. We see him playing with his neighbor’s children and feel his own loss at never having children himself. We see him raging in his deathbed as Stalin proves himself to be an unworthy successor. We see him foaming at his fellow intellectuals and inspiring the actions of crowds in a square. We follow him on nighttime walks and relax with him in the countryside. We see, in a word, a man.

Socialism: Utopian & Scientific (86 pages)
Like the Communist Manifesto, Socialism: Utopian & Scientific is less of a book and more of an extended essay. Written exclusively by Engels (rather than Marx & Engels), the essay breaks down the concept of socialism, looking at it through first a utopian lens and then a historical-material one, with a long section in the middle, “Dialectics,” establishing the primacy of the latter over the former.

For Engels, when Socialism evolved from Utopianism to Historical Materialism, its “task was no longer to manufacture a system of society as perfect as possible, but to examine the historico-economic succession of events from which these classes [the proletariat and the bourgeoisie] and their antagonism had of necessity sprung, and to discover in the economic conditions thus created the means of ending the conflict.”

In other words, Socialism is not an attempt to create the perfect society. It’s the attempt to end the original conflict between humans: economic oppression. Subsequently, the dominant mode of production (capitalism) manifests as the pure expression of that oppression, one in which the only goal is the creation of surplus value, which Marx demonstrated can only arise from the exploitation of another person’s labor.

In still other words, according to Engels (one of its founding fathers), Socialism is not a positive political program but an attempt to free the vast swath of humanity from capitalist oppression (which, it will be argued elsewhere also frees humanity from the tyranny of the State, itself a mode of capitalist defense).

For a relatively short introduction to Socialism, you could do a lot worse.

State & Revolution (116 pages)
Written by Lenin, The State & Revolution is Lenin’s attempt to clarify the language and ideas of Marx and Engels to better communicate what he saw as the revolutionary requirements of Communism and Socialism, especially as it relates to the proletariat, whom he defines as the spear tip of the working class, the leadership group that is most capable of directing the workers’ revolution through and into its ultimate phase, the withering away of the state and humanity’s first real taste of freedom.

If you’re interested, I put together for my students some notes on the first few chapters. It’s basically quotes from the text, but arranged so as to provide a clearer through-line for each chapter.

Lenin is not as good a writer as Marx or Engels, but his tone and his authority definitely come through. After reading the biography of Lenin I mentioned above, I found my first in-depth experience with his writing to be enriched by my understanding of him as a man. I definitely enjoyed the experience.

On Bullshit (67 pages)
A small treatise written by a Princeton Professor Emeritus of Philosophy, On Bullshit has a funnier title than its content would suggest. The author attempts to analyze the difference between bullshit and lying, coming to the conclusion that while lying must have some relationship to the truth (since its function is to conceal the truth), bullshit‘s only goal is to get its audience to be impressed by the bullshitter.

Because it is generally apathetic in regards to the truth, bullshit is more dangerous than lying: lying at least acknowledges the value of the truth, but bullshit is nihilistic.

A Song of Ice & Fire (4,972 pages)
Following the conclusion of the latest season of Game of Thrones, I decided to re-read George R.R. Martin’s original books: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons.

I loved these books the first time I read them over a decade ago, and I loved them even more this time around. I had forgotten how many changes the HBO series had made, how many characters left out and how many subplots left unopened or unexplored. I forgot that the HBO series was not only erasing minor characters or changing the locations and timing of various scenes, but it was radically altering Martin’s novels, to the point where the events of the past two seasons of television simply can’t develop over the next two or three books.

In other words, I’d forgotten that what I was watching on television was so far from Martin’s A Song of Ice & Fire that I’d essentially forgotten A Song of Ice & Fire. I couldn’t be happier to have Martin’s vision be the last one I’ve experienced.

Now if only he could publish the next book (The Winds of Winter) before the final season of Game of Thrones can be released.

And that’s it. Those are the twenty-one books I read in 2017. All told, we’re talking roughly 10,660 pages worth of fantasy, history, philosophy, experimental literature, mythology, religion, and politics.

Not to mention way too many articles about Donald Trump.

God damn it, 2017.

Categories
reviews writing advice

Seventeen minutes

Seventeen minutes. That’s what it takes to write something good. The something can always be made better, and it’ll take as much time as a writer is willing to give it, but it takes seventeen minutes at least.

This is not a lot of time. It’s less than the length of one episode of comedic television.

Seventeen minutes is keyboard time though. It’s sitting at the keyboard and typing rather furiously for seventeen minutes. But it’s not seventeen minutes of blathering onto the screen; it’s seventeen minutes of hyperintensity, where your body is almost completely still except for its unconscious twitches and shakes and your mind’s eye is so far inward it’s almost up your asshole, and then, almost like when a fish tries to dart back into the dark waters and you reach out to snatch it by its tail, you discover the phrase, and depending on how fast you are, its yours to catch or release.

It’s the buildup to the keyboard time that can get you. It takes a lot of energy to sit down and write. It’s a lazy man’s game, I know, but there isn’t any laziness to it. Not when it’s done right.

It’s like exercise. You just have to do it. Maybe someday you’ll feel like you’re a real part of “the game,” but for now, it’s just exercise.

I have friends that run in marathons; some are even Ironmen and women. I don’t think one of them has entered a race expecting they would win it. They expect zero accolades for their performance. They wouldn’t mind if they received some, but accolades aren’t for a moment a reason for them to run, or to swim, or to bike.

Before race day, they prepare — some more than others, but all of them prepare.

In writing, though, there is no race day. There is no single day that it’s all leading up to. It’s never “the day.”

When I see my friends at the starting line of their races (which isn’t very often), they often seem serious. Those who can laugh, laugh, but not all of them; some take the time to focus. Sometimes they bounce on their legs to get the energy flowing, or they sway back and forth, trying to stay loose.

There is that in writing too. Some writers are able to roll right out of bed and get going, but I think most of us have to psyche ourselves up a little bit. Some even pop performance enhancing drugs like marijuana or alcohol (Hunter S. Thompson popped a pharmacy). But then, clean or not, feeling the moment, we sit down, place our fingers on the keys, put them in their rested but ready position, and wait, wait…wait…and bang, the phrase hits, and we’re off.

Most people don’t run marathons though. You know what they do? They run 5Ks. A lot of them, sometimes more than once a day.

How long do you think that takes, a 5K?

I don’t know. I’m not a runner. But I think to run a pretty good 5K, seventeen minutes sounds about right to me.

I shit you not. I started this post a little more than twenty minutes ago. I’m sorry it’s taken this long. I’m still a little off my game.

And for the record (just because I finished watching it about twenty minutes ago) tonight’s “Spoils of War” episode has to be in the running not just as the best episode of Game of Thrones, but as possibly the best episode of television ever. It demonstrated the narrative moment that comes just before the apotheosis as well as I’ve ever seen it done. I can’t wait to read George R.R. Martin’s version of it.

And also for the record, it’s taking Mr. Martin longer than seventeen minutes to write A Song of Ice & Fire; in fact, it’s taking him longer than seventeen years.

Name one project you’ve worked on for longer than seventeen years (children don’t count).

Give Mr. Martin a break. He’s creating a true masterpiece.

And for those of you going after David Benioff and D.B. White for their desire to wrangle whatever stories they can out of the notion that the South won the Civil War and slavery still exists the way capitalism still exists, as a bona-fide economic theory — how dare you try to censor an artist before he or she can begin her work?

Game of Thrones has to be ranked as one of the best series of television ever. You can argue the point all you like, but no one would denounce you as crazy for suggesting it at least deserves some kind of honorable mention in the discussion.

The world makes a lot of television. To do it as well as Beniof and White have done it for as long as they’ve done it, and to do it at such a massive scale, with millions of person hours dedicated to its creation, production, and distribution, and done in what seems to be a genuine manner, allowing the dirtiness of Martin’s novels to titillate and shock the viewer while also striving to touch their hearts… Beniof and White have been as successful on screen as Martin has been on the page — differently successful, but successful nonetheless.

Haven’t they shown themselves to be twenty-first century artists of the first stripe, capable of manipulating the capitalist system in such a way as to dedicate millions upon millions of dollars to the creation of quality works of art? You think the Vatican doesn’t benefit from housing such high quality artwork behind its doors?

Yes, there’s money to be made in art. Ask Shakespeare and Michelangelo.

I’m not trying to go out on a limb here. In their official announcement about the series, Benioff and White used the language of art to frame what they’re trying to do, saying, “Our experience on Thrones has convinced us that no one provides a bigger, better storytelling canvas than HBO.” Given any urge to create art, what artist worth her salt would turn down the biggest canvas she could find?

The announced concept behind “Confederacy” is problematic, true, and I applaud those who want to ensure that the artists understand the problems before they try to tackle them, but how dare anyone forbid their attempt of it?

With tonight’s episode of Game of Thrones, which, by the way, they wrote before George R.R. Martin was able to write it, they proved themselves due for so much respect as artists that I’m willing to support whatever endeavor they choose next.

Yes, critique their idea. Yes, call into question the real political and cultural issues that arise from their idea, but for the love of all that is sacred in art, don’t denounce their right to attempt it.

Okay. That was about twenty more minutes. Sorry, but that was a great episode of television and I just needed to say all that.

Forty-five minutes of writing. Thirteen minutes of editing. That’s almost an hour-long drama. That’s not much at all.